BR Chopra Boycotted Mohammed Rafi From His Films For This Reason
BR Chopra Boycotted Mohammed Rafi From His Films For This Reason
Rafi Saheb, known for his simplicity, did not comprehend the contract's implications for BR Chopra and politely conveyed that he intended to work with various producers and directors.

Mohammed Rafi, revered as one of the greatest and most influential singers in the Indian subcontinent, left an indelible mark with his versatile voice that traversed fast peppy numbers, patriotic and romantic songs, qawwalis, and classical renditions. His timeless songs continue to captivate listeners even today. However, Rafi Saheb’s journey faced a notable incident when he found himself at odds with the renowned director BR Chopra.

BR Chopra, a luminary in Indian cinema, achieved fame with several memorable films, including the iconic Naya Daur, released on August 15, 1954. Starring Dilip Kumar and Vyjayanthimala, the movie was a massive hit, ranking as the second-highest-grossing Indian film of 1957. The film’s success extended to its songs, composed by O. P. Nayyar, with lyrics by Sahir Ludhianvi and playback by Mohammed Rafi, Asha Bhosle, Shamshad Begum, and S. Balbir.

Amidst this success, BR Chopra’s growing arrogance manifested when he sought to bind the film’s team with an exclusive contract, preventing them from working with other production houses. Rafi Saheb, known for his simplicity, did not comprehend the contract’s implications and politely conveyed that, as the voice of the public, he intended to work with various producers and directors.

This response shocked BR Chopra, leading him to boycott Rafi Saheb from his films and urge other directors to follow suit. Chopra believed he could create a new Rafi through his projects. Initially, Rafi faced a decline in opportunities, but he remained composed. Despite receiving fewer assignments, his unmatched voice stood unparalleled.

Undeterred by BR Chopra’s stance, other producers gradually recognized Rafi’s unparalleled talent and started hiring him again. Chopra’s attempt to groom alternative singers fell short, and he eventually realized the inflexibility of his position. When Yash Chopra, BR Chopra’s brother, started making Waqt in 1965, he sought permission to feature Rafi Saheb as a singer. BR Chopra reluctantly agreed.

In a befitting response, Rafi Saheb lent his voice to the song Waqt Se Din Aur Raat, which became a colossal hit. This move, it is said, served as Mohammed Rafi’s triumphant reply to BR Chopra, underscoring the irreplaceable quality of his voice.

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